Australian documentary and fine art photographer
Nick Bedford is a fine art and documentary photographer based in Brisbane, Australia.
It’s raining as I type this. Winter has passed, spring is in full bloom and so the clouds are returning. I feel different about “bad weather” this time around and I believe I have both film photography and my deeper personal adjustments this year are to thank for that.
Read MoreSpring is warming up the city and we’re getting a preview of the horrible scorching Brisbane weather to come at the end of the year. I've finished my third NIDA acting course and have decided that I'll have a break from my exploration of acting for a while. Film is making me busy.
Read MoreApologies for the enormous post this time. They should load quicker now. I have been shooting so much. This week I switched to full time manual on the street and I think I just levelled up.
Read MoreIt's been a flow state of shooting these last few weeks. Roll after roll. I'm going to reprocess my Japan scans at some point because they're quite a bit flatter than my current style. Getting the printer after that trip changed everything including how much rich contrast I add into my Tri-X images.
Read MoreI feel like I'm back. I didn't realise how constrained I felt on the street until I had the M7 back in my hands. Also, Kodak Tri-X film makes me weep tears of joy. It's such a beautiful film.
Read MoreAugust is cold, well for a Queenslander anyway. I have my Leica M7 back now (about half way through this post) and it's working beautifully. You don't realise the effect a camera has on your shooting style until you are forced to use another, in this case a loud Nikon SLR. In the mean time, I've received my first large format lens, the Nikon 135mm f/5.6 in mint working condition. Still some weeks left before I can expect the Intrepid 4x5.
Read MoreWinter is slowly passing, and we're having some warm days here and there. The light is still quite beautiful most of the day. I find myself growing especially fond of colour film on the Rolleiflex and remaining true to my black and white 35mm style. I have no colour film scanning gear which influences my choice of film to generally monochrome.
Read MoreIt's a black and white kinda month, with a little more Rolleiflex street photography this time! It's a tough camera to shoot in the fast paced environment of the street but the results are very interesting. I think I prefer shooting colour on the Rollei, despite having to pay a lot more for outsourcing dev and scan.
Read MoreThe Leica M7 is back so I'm able to use my 35mm lens again. I've enjoyed being confined to the 50mm lens on the Nikon for the last month and a half but I'm looking forward to feeling less claustrophobic out on the streets and feeling more flexible again.
Read MoreIt's a nice feeling to have completely given myself over to the dark side — to have wholly accepted my fate as one of those film photographers, shooting on silver and not being able to show people the photo I just took. Here's some more of life.
Read MoreSince I seem to be shooting both black and white and colour a lot now, I'm renaming these posts to simply Photo Vol. X. Seems more fitting and flexible.
Read MoreSo it turns out that acting class is like reaching behind the curtains right into the safe storage box of your personality and yanking out the person who is hiding there, kicking and screaming.
Read MoreIt's convenient that my Rodinal and 35mm negative sleeves ran out by the time I was ready for a bit of a break from shooting black and white film non-stop for the last few months since returning from New Zealand. I'll be back into it all once I've got some new supplies.
Read MoreI'm working on a local gallery showing opportunity that has presented itself, which is exciting as someone who only recently got into printing last year and has never exhibited any work before at all. I feel busy and not busy at the same time as wrestling with personal battles and finding new purpose, and I frankly can't foresee the result of it all in the near future.
Read MoreI've been reading a lot about street photography and certain photographers over the last several weeks, from the revised edition of Bystander: A History Of Street Photography and Elliot Erwitt: Home Around The World, to ordering Joel Meyerowitz' new hardcover titled Where I Find Myself.
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